Representasi Warna Merah Pada Wayang Golek Si Cepot

Feri Sandria Nurhidayat

Abstract


This research aims to find out the representation of red color in the puppet of si Cepot. The red color always considered identical with negative color. In this research, the writer will investigate the colors which exist in the puppet’s character from different aspects. The writer decides to study the color because it is interesting. Color can be a symbol and meanings that can warn people regarding what they are supposed to do and what they are not supposed to do. This research employs qualitative approach using semiotic analysis. The data are collected from interview, observation, documentation, and study of literature. The subject of this research is the character of si cepot puppet with red colors. The findings of this study show that there is a meaning in the red color of the puppet using different types of color analysis that in the end of the day will yield to various emotions. Red color viewed as desire, danger, heat, and related to emotion. The findings then categorize the red color of the puppet as the representation of human’s character that is greedy, desirous, and courageous. Yet the red color of the puppet basically represents the desire and the courage of the puppet as his rebellion towards the peoples’ arbitrariness which always greedy over everything. Thus the puppet is the human representation which described in the role of puppet “si cepot”.


Full Text:

Pdf

References


Aw, Suranto. 2010. Komunikasi social budaya. Yogyakarta: Graha Ilmu

Barger, Arthur Asa. 2010. Pengantar Semiotika Tanda-Tanda Dalam Kebudyaan Konterporer, Yogyakarta: Tiara Wacana

Bartnes, Roland. 1972. Membedah Mitosmitos Budaya Massa. Jakarta: Jalasutra

BS, Bartho. 2014. Teori Warna Sebagai Unsur Penting Dunia Desain. Jakarta: Dumet School. http:///www.dumetschool.com

Effendy, Onong Uchjana. 2000. Ilmu teori dan filsafat komunikasi. Bandung: Citra Aditya Bakti

Fergiyanto, Nico. 2014. Representasi Budaya. http://nicofergiyanto. blogspot.co.id/2014/6/12 (Diakses Oktober 2015)

Harefa, Andrias. 2007. Mengukir Kata Menata Kalimat. Yogyakarta: Gradien Books

Hoed, Benny H. 2001. Dari Logika Tuyul ke Erotisme. Magelang:

Kusrianto, Adi. 2009. Pengantar Desain Komunikasi Visual. Yogyakarta: ANDI

Malik, Yusuf Dkk. 2013. Sosiologi Budaya. http://sosiologibudaya.wordpress. Com

Mellema, R. L. 1954. Wayang Puppets: Carving, colouring, symbolism. Amsterdam: Koninklik Institut/ Royal Tropical Institute Bulletin 315.

Milles, M.B., and Huberman. 1984. Qualitativity Data Analysis. London: Sage Publication

Mulyana Deddy & Rakhmat Jalaluddin. 2005. Komunikasi Antarbudaya. Bandung: PT Remaja Rosdakarya

Mulyono, Sri. 1979, Simbolisme Dan Mistikisme Dalam Wayang. Jakarta Gunung Agun

Nawiroh, Vera .2008. Semiotika Dalam Riset Komunikasi, Yogyakarta: Ghalia Indonesia

Nugraha, Arie. 2012. Skripsi Representasi Realitas Bullying Dalam Serial Film Kartun Doraemon. Yogyakarta: Fakultas Ilmu Sosial dan Politik UNMUL. http://e.journal.Ikom. Fisip-unmul.ac.id

Rakhmat, Jalaluddin. 1994. Psikologi Komunikasi. Bandung: Remaja Rosdakarya.

Sobur, Alex. 2001. Analisis Teks Media, Suatu Pengantar Untuk Analisis Wacana, Analisis Semiotika Dan Analisis Freming. Bandung: PT Remaja Rosdakarya

Sobur, Alex. 2004. Semiotika Komunikasi. Bandung: Remaja Rosdakarya.

Soetarno. 2005, Petrunjukan Wayang dan Makna Simbolisme. Surakarta: STSI Press.

Suryana, Jajang. 2002, Wayang Golek Sunda Kajian Estetika Rupa Tokoh Golek. Bandung: Kiblat

Taufik, M. S. 2016. Teori Warna. http:// anak-lingkungan.blogspot.co.id

Wulansari, Oktavia. 2010. Pengertian Warna. http://Oktaviawulan. blogspot.com




Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.